Beth Cato’s Clockwork Dagger (http://www.tor.com/stories/2014/03/the-clockwork-dagger-excerpt-beth-cato)
is a ripping yarn. Steampunk dystopia,
religious/spiritual magic and medicine, action aplenty.
I grabbed this as a spur-of-the-moment, everyone-else-is-ready-to-leave-the-library
read off of the new sci-fi shelf. The
first chapter is really excellent—we follow our main character, Octavia
Leander, as she travels through the big city on her way to start a new career
as a medician (medic/magician); the incident sets up the cultural technology (with airships and steam
cabriolets), her skills (channeling the spirit of the Lady to work the healing
magic), her nature (cautious, caring, independent), the political scene (the
truce between the two warring states, the downtrodden populace). I continue to notice how little exposition
there is for the reader—or rather how unobtrusive it is—we simply live in this
world and the sheltered background of the main character provides us with the
slightly innocent worldview we need in order to get the information we need. It’s an excellent adventure in an alternate universe. My only complaint is while the story wraps
up, it does with the clear idea that it will be followed by another book to
move our characters through the larger political intrigue. Beth Cato better write fast.
Sounds like fun, though I'm wondering if there are any equally fun books out there where the populace is not downtrodden. A downtrodden populace no longer feels like a caution, but rather a fundamental grounding that modern authors have to use in order to make their world believable to a modern audience. Airships and magic? Sure! An upwardly mobile population with a nicely functioning safety net? Are you kidding?
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